The idea is that now that we embraced a change agent-in-chief, we have to do the work of supporting the (hopefully evolutionary) transformation of the future. It's being tossed around all over the place, perhaps best by an article about Obamaism in New York magazine; it's our specific brand of what should be called Futurism except for the sneaky artists who stole it.
I always had a hard time imagining this kind of future. There's a fog of war that still shrouds anything past January 20th, but I can't help but hope that the gears really have started turning. Because it's a responsibility that the activist in everyone has to take up. Josie's review of the new Cause Co-Motion! collection of EP's, from 2005 to 2008, is notable not just because she writes with such grace and acumen, but also because her final critique of the oxymoronically named band challenges not just their ho-hum past sound, but the culture as a whole from the malaise of the past near decade:
Yet, the tiredness of this exercise as a whole, the extent to which it fails even when it succeeds, suggests that music, too, needs to stop reliving the psychodrama, fear and inward focus of the Cold War. Clinton’s election seemed to mark the end of isolation – the underground burst forth – but it was merely a respite. Punxatawny Phil saw his shadow, electro got eaten up in yet another wave of incompetent rock. Winter is over, and it’s time to figure out what, aesthetically, our generation is all about. Imagine: someone, a group of people, might come up with an entirely new mode of expression; how freaking exciting is that?! Yes, we can.She also fit the word spandrel in there. Game, set, match.